Isak

  • Isak is a space to celebrate tales and truth in the curious, joyful way embodied by the writer--Isak Dinesen--for which it is named.

    By tales, I mean fiction (especially short fiction), as well as other literary and artistic narratives. By truth, I mean the world in which we live. I especially have my eye on creative social justice.

    Isak: The Extended Version

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Isak Loves

  • James Baldwin: Notes of a Native Son

    James Baldwin: Notes of a Native Son
    "I want to be an honest man and a good writer." So James Baldwin writes in his 1955 collection of essays. In my video review, I consider what exactly is going on in this explosive little book: see the video here.

  • Michelle Goldberg: The Means of Reproduction: Sex, Power, and the Future of the World

    Michelle Goldberg: The Means of Reproduction: Sex, Power, and the Future of the World
    Really, it's quite a story, one I haven't heard elsewhere, one that coheres so many "issues" that are too often isolated. ... Goldberg performs something of a miracle of crystallization. The connections and intersections become clear. And what is seen is ... well, you've just got to see it.

    Read my full review here.

  • Truman Capote: In Cold Blood

    Truman Capote: In Cold Blood
    Capote is among the very first to write an investigative fact-based book with the craft technique of fiction. Indeed, the book is written as if from an omniscient narrator, carefully arranging the true story in ways that play out in dialogue, build suspense, create characters, foreshadow, and revel in moral ambiguity--rather than making a linear argument of some sort, as nonfiction of Capote's time was wont to do.

    Read my full review here.

  • Art Spiegelman: The Complete Maus: A Survivor's Tale

    Art Spiegelman: The Complete Maus: A Survivor's Tale
    In 1992, Spiegelman's two-part graphic novel won a Pulitzer Prize. The Pulitzer committee, however, didn't know what genre to place Maus in, and so it was awarded a "special project" Pulitzer. That, perhaps more than anything else, indicates how revolutionary Maus was.

    Read my full review here.

  • Betty Friedan: The Feminine Mystique

    Betty Friedan: The Feminine Mystique
    Let me be clear: Betty Friedan's seminal 1963 book is brilliant, startling, well-written, clear-sighted, and even better than I anticipated when I first picked it up. Bringing together insight and wide-ranging research to a gendered culture that was on the brink, it's apparent why the book cued a revolution when it was published to enormous acclaim.

    There are, however, meaningful oversights in the book. Read my full review here.

  • Vladimir Nabokov: Laughter in the Dark

    Vladimir Nabokov: Laughter in the Dark
    I often shook my head in bemused awe at the kind of stuff this writer could get away with. I mean, a villain named Axel Rex? A sentence like: "An electric milk van on fat tires rolling creamily?" Incredible. But the point is, Nabokov gets away with it.

    It works. This is a perfectly crafted book. Read my full review here.

  • Fyodor Dostoevsky: Notes from Underground

    Fyodor Dostoevsky: Notes from Underground
    It's not by chance that this guy lives in St. Petersburg. The city is steeped in the fantastic, though it is seemingly the most logical of cities, and is thus the perfect metaphor for the plight of our liver-diseased, rationalism-loathing Underground Man.

    Read my full reflection--on this short novel, and on St. Petersburg--here.

  • Stephen Greenblatt: Will in the World: How Shakespeare Became Shakespeare

    Stephen Greenblatt: Will in the World: How Shakespeare Became Shakespeare
    My immediate response upon finishing this book? Every Shakespeare play I read from now on will be funnier, deeper, more moving and generally more of a joy because I read this.

    Read my full review here.

  • Per Petterson: Out Stealing Horses

    Per Petterson: Out Stealing Horses
    And time: Petterson's collage of chronology plays like a human memory, feeding on associations and surprising juxtapositions, making the familiar revelatory. It is crafted of many long lines and leaps of moodiness and knowing. There is suspense and mystery--but it hardly moves like a step-by-step thriller; Petterson performs the writerly miracle of making mysterious what we already know has happened. And that "what" that has happened isn't itself easily defined, even as I can feel it's weight.

    See my full review here.

  • : The Autobiography of Malcolm X : As Told to Alex Haley

    The Autobiography of Malcolm X : As Told to Alex Haley
    On the forty-third anniversary of Malcolm X's murder, I wrote about his life, his legacy and the warped way I'd learned of both until I read this brilliant book.

    Read it (that is, my reflection) here.

  • Thornton Wilder: The Bridge of San Luis Rey

    Thornton Wilder: The Bridge of San Luis Rey

  • Ken Kesey: One Flew Over the Cuckoo's Nest

    Ken Kesey: One Flew Over the Cuckoo's Nest

  • Harper Lee: To Kill a Mockingbird

    Harper Lee: To Kill a Mockingbird
    It's perfect.

  • Edith Wharton: House of Mirth

    Edith Wharton: House of Mirth
    I tell you, it was fraught; this is a great book that I viscerally responded to. So engrossing is the tale of Lily Bart and New York society at the turn of the twentieth century, we ended up bringing that second copy home and continuing to read til 3 a.m (there was a short spaghetti break).

    Read my full review here.

  • Michael Pollan: The Omnivore's Dilemma: A Natural History of Four Meals

    Michael Pollan: The Omnivore's Dilemma: A Natural History of Four Meals
    Hyped? Yes. And it deserves every bit of it and more. This is an astonishing, engaging, hilarious and revelatory book that should be required reading for every American. At least every American that eats.

  • Charles D'Ambrosio: Orphans
    The eleven essays are haunting, hallucinatory, and so sharp-eyed that it rattles the bones. D'Ambrosio moves among landscapes like a watchful ghost--from oddball modular homes in Washington state, to the infamous Hell House, from Seattle in 1974 to a Russian orphanage, from a tent on a cold ocean beach to a utopian experiment in small town Texas to a courthouse multiplex where a teacher's on trial for becoming pregnant by her 13-year-old student.

    Read my full review here.
  • Maurice Manning: Bucolics

    Maurice Manning: Bucolics
    Haunting and funny, innovative and heartening, this collection of seventy untitled, unpunctuated poems features a nameless narrator talking to his creator, whom he calls 'boss.' It moves like a reverie and it strikes deep.

    Read my full review here.

  • Alison Bechdel: Fun Home: A Family Tragicomic

    Alison Bechdel: Fun Home: A Family Tragicomic
    Fun Home is a timeshifting, living memory sort of story that leaves the chains of chronology far behind ... Bechdel plays at the ideas of artiface and fiction, using Camus, Proust, Nin, Fitzgerald and many other writers to tell the story of the 'reality' of the love, pain, and identity in a bookish family.

    Read my full review here.

  • Isak Dinesen: Out of Africa and Shadows on the Grass

    Isak Dinesen: Out of Africa and Shadows on the Grass
    Natch.

  • Virginia Woolf: A Room of One's Own

    Virginia Woolf: A Room of One's Own
    Let's just say it's a classic for a reason.

  • Peter Turchi: Maps of the Imagination: The Writer as Cartographer

    Peter Turchi: Maps of the Imagination: The Writer as Cartographer
    A clever book with gorgeous and eclectic illustrations, Turchi is in true affable form as he seeks to capture the nature of seeking...both on the page and in the world.

  • Marilynne Robinson: Gilead

    Marilynne Robinson: Gilead
    I bought this novel as a hardcover, without ever having read a word of Robinson's writing before. A rare case. And beyond worth it.

  • Flannery O'Connor: The Complete Stories

    Flannery O'Connor: The Complete Stories
    Stories with dark edges and beating hearts, sharp social satire and a load of humor.

  • Anne Michaels: Fugitive Pieces

    Anne Michaels: Fugitive Pieces
    A novel I'd never heard of, by a writer I'd never heard of, mailed to me unexpectedly by a British fellow I'd only known for two weeks. Now, when people throw that "favorite book" question at me, I always, always name this one.

  • Milan Kundera: The Unbearable Lightness of Being

    Milan Kundera: The Unbearable Lightness of Being
    A novel that crushes the heart and the brain. In a good way.

  • Gabriel Garcia Marquez: One Hundred Years of Solitude

    Gabriel Garcia Marquez: One Hundred Years of Solitude
    Right on.

  • Fyodor Dostoevsky: The Brothers Karamazov

    Fyodor Dostoevsky: The Brothers Karamazov
    I fell in love with it in college; I'm loyal to it today. It's got murder, intrigue, and a brilliant scope.

  • Joan Didion: Slouching Towards Bethlehem: Essays

    Joan Didion: Slouching Towards Bethlehem: Essays
    I've never read anybody who thinks like her.

  • Dorothy Day: Dorothy Day: Selected Writings

    Dorothy Day: Dorothy Day: Selected Writings
    A well-edited text of Day's writing, and her life committed to a personalist approach to poverty and active nonviolence. I never was stunned by her writing, by I found myself reaching for it again and again. There's something that keeps calling me back to it...

  • Anton Chekhov: Stories of Anton Chekhov

    Anton Chekhov: Stories of Anton Chekhov
    How could you not? Honestly, it took me awhile to appreciate the genius of Chekhov's stories, but it was only a matter of time.

  • Angela Carter: Burning Your Boats: The Collected Short Stories

    Angela Carter: Burning Your Boats: The Collected Short Stories
    Boldly written, clever, hilarious, and strange. There's none like her. "The Fall River Axe Murders" remains one of my favorite all-time stories.

  • Mikhail Bulgakov: The Master and Margarita

    Mikhail Bulgakov: The Master and Margarita
    Featuring the personalities of Pontius Pilate, a life-size cat, Satan, and a master writer, this is a novel of Moscow gone mad with literality and fantasy. It shares the curious juxtaposition of being both one of the most powerful Soviet protest texts, and the inspiration for the song "Sympathy for the Devil."

  • Jorge Luis Borges: Ficciones

    Jorge Luis Borges: Ficciones
    Mind-bending. My favorite? "Three Versions of Judas"

  • Andrea Barrett: Ship Fever

    Andrea Barrett: Ship Fever
    Smart extended stories, drawing from the most intriguing moments in natural history and adventuring. In my mind, Andrea Barrett challenges Alice Munro for the most talented living story writer in English.

  • Wendy Wasserstein: The Heidi Chronicles: Uncommon Women and Others & Isn't It Romantic

    Wendy Wasserstein: The Heidi Chronicles: Uncommon Women and Others & Isn't It Romantic
    The voices ring in my mind, after several reads of this play since last summer; the dialogue is remarkably honest, funny, and just plain old interesting. Rarely have I come across stories and plays where the human instincts to demarcate characters with sharp lines ("she's the funny one,"he's the misunderstood one") is so futile as here; the characters' many-sidedness is made plain on every page.

    Read my full appreciation here.

  • Maurice Manning: A Companion for Owls: Being the Commonplace Book of D. Boone, Long Hunter, Back Woodsman, & c.

    Maurice Manning: A Companion for Owls: Being the Commonplace Book of D. Boone, Long Hunter, Back Woodsman, & c.
    One of the best books I've read in a long time. Innovative, funny, gorgeous...I could string together plenty of heartfelt adjectives, but I'd rather you not take any of my words for it; take Manning's words instead.

  • Charles Baudelaire: Twenty Prose Poems

    Charles Baudelaire: Twenty Prose Poems
    Such ambition did nothing to stifle his sense of humor--evident just from his titles, which range from "Get Drunk!" to "The Soup and the Clouds" to "Let's Beat Up the Poor." Baudelaire's got a love of wordplay and a taste for epiphany. The doubleness manifested in his very genre--prose poem--finds constant textual echoes, from his scathing remarks on hypocrisy to his sight for the strange oppositions alive in Paris in the mid-nineteenth century. I was particularly struck by the image at the end of "The Double Room" (natch)...

    Read my full review here.

  • Jane Austen: Pride and Prejudice

    Jane Austen: Pride and Prejudice
    Five reasons why reading Pride and Prejudice is ridiculously fun.

  • George Orwell: Down and Out in Paris and London

    George Orwell: Down and Out in Paris and London
    George Orwell is a damn good writer. Sure, he whipped out 1984 and Animal Farm, but it's from his essays and nonfiction that I'm learning Orwellian tricks--and by that I mean, the very best sort of craft points. Read my full review here.

  • Stephen King: On Writing

    Stephen King: On Writing
    It's a great book--partly on his life, partly on language, and wholly on how the two intersect. King is hilarious, imaginative ... and his insane work ethic is evident on every page. He's also got a finally tuned bullshit-detector, which charmed me right off.

    Read my full review here.

  • Leonard Gardner: Fat City

    Leonard Gardner: Fat City
    A book that still excites me every time I page through it, though I first read it a year ago. Gardner’s novel thrives on contradictions. His characters say what they don’t mean, hope for what they don’t want, and act in ways that hurt themselves and those that they attempt, ever so slightly, to love. And the novel comes together splendidly.

    Read my full review here.

July 10, 2009

Final--And Darker--Anne of Green Gables Book To Be Published

If you thought Lucy Maud Montgomery had told the story of Anne Shirley in its entirety over the course of eight books (including Anne of Green Gables), the you are wrong. It turns out that The Blythes Are Quoted was authored by Montgomery and intended as the ninth volume in the series. It will be published by Penguin Canada in October 2009.

And it is a decidedly different turn:

Featuring 15 short stories about Anne as an adult and her family, it also includes a series of vignettes between the stories – poems "by" Anne and her son Walter, who dies during the first world war – and sketches of Anne and Gilbert Blythe discussing the poems.

The book is divided into two sections, set before and after the first world war, and according to Penguin sees Montgomery "experimenting with storytelling methods in ways she had never attempted before" as she moves between prose, dialogue and poetry.

An abridged version of the book, which omitted most of the 100-odd pages of vignettes and poems and shortened the stories, was published in 1974, but the Penguin Canada edition ... will be the first time it is published as Montgomery intended.

The book looks set to reveal a darker side to the author, with its publisher promising themes of "adultery, illegitimacy, misogyny, revenge, murder, despair, bitterness, hatred, and death – usually not the first terms associated with LM Montgomery". It was completed shortly before her death in 1942 ...

Via @drmarbuse.

Art City: Spiegelman Coming to MOCAD

 Image1
Art Spiegelman is coming to the Museum of Contemporary Art Detroit next week to talk it up about his work. It's a must-see. From his charged underground comix of the 1960s/70s to his category-less Pulitzer Prize for Maus (which I wrote about here), from his New Yorker covers that startled to the large-scale In the Shadow of No Towers, Spiegelman's earned his acclaim.

It's going down at 7 pm on Wednesday, July 15. The event is part of the museum's current exhibition, "Art Spiegelman: Portrait of the Artist as a Young %@&*!" Tickets are $7 and available at MOCAD's store. I've got mine in my wallet. So I will see you there.

July 09, 2009

BOOK REVIEW (in brief): Cook Food: A Manualfesto for Easy, Healthy, Local Eating

41vjbn5DTvL._SX106_ While healing from a broken foot, relying on friends to bring me the basics of groceries, reading Cook Food: A Manualfesto for Easy, Healthy, Local Eating by Lisa Jervis inspired wonderful dreams of my revived kitchen. From my couch I made a wish list for my future return trip to the market. It was a long list.

After reading quite a lot about food and food systems/communities, I believe that Jervis' "manualfesto" fills a needed niche that marries kitchen technique and mindset. Cook Food is a hybrid of a cookbook and collection of essays; a slim book that's perfectly portable and wonderfully narrated; a guidebook for folks who love food and care about its preparation and its provenance.

As well:
Cook Food is published by PM Press, an independent press that's still quite new, but is bold in its strategy. They seem to have built up an impressive collection of book, audio, and video resources.

July 08, 2009

Quick Hit: Justice Ruth Bader Ginsburg Steals My Heart, Again

Ginsburg.190.2 U.S. Supreme Court Justice Ginsburg, who doubles as one of my greatest heroes, is featured in conversation with New York Times journalist Emily Bazelon, who doubles as target of my greatest envy.

The topics? They range from Court nominee Sonya Sotomayor, Ginsburg's own journey to the top bench, and how law and gender intersect and evolve. As per usual, Ginsburg's brains, candor, and humor shine like stars.

And the most amazing facts emerge from Ginsburg's offhand anecdotes: look for the jaw-dropping revelation involving the case of Captain Struck, whom Ginsburg was representing as lawyer in 1971 ...

Then come back over to Isak and join me in a collective gasp.

Image Credit: The New York Times

Critical Flame

A new online journal of literature and culture, The Critical Flame is now boasting its second issue, featuring reviews of fiction (J.M.G. Le Clézio, Monica Ali, Karen Joy Fowler), poetry (D.A. Powell), and nonfiction (Mark McGurl). Points go to the Critical Flame team for a nicely designed website and an ambition to "keep the conversation alive" about literature, creating more and more spaces for it to happen.

"We go forward with the great hope that open and articulate discussion is as easily spread as wildfire, that CF will be a spark in arid kindling," they write.

I hope too.

Poetry/Politics

It was a whim to pick up Adrienne Rich's book, What is Found There: Notebooks on Poetry and Politics during my last visit to Shaman Drum. While I've enjoyed it, I'm only casually know her poetry; I'm probably most familiar with Rich via Audre Lorde.

But, oh, I'm in love with What is Found There, this curious collection of journals, letters, close readings of poetry and sharp-sighted, concise meditations on her contemporary political moment (my copy is a 2003 re-issue, with a couple new pieces, of a 1993 original).

This is the sort of book that has me looking up repeatedly, trying to make eye contact with someone who will let me read aloud to them the parts that startle and awe.

Like so:

I know that "capitalism" is an unfashionable word. "Democracy," "free enterprise," "market economy" are the banners now floating above our economic system. Still, as a poet, I choose to sieve up old, sunken words, heave them, dripping with silt, turn them over, and bring them into the air of the present. Where every public decision has to be justified in the scales of corporate profits, poetry unsettles these apparently self-evident propositions--not through ideology, but by its very presence and ways of being, its embodiment of states of longing and desire.

And like so:

You will remember the pictorial names (of birds) as you won't the Latin, which, however, is more specific as to genus and species. Human eyes gazed at each of all these forms of life and saw resemblance in difference--the core of metaphor, that which lies close to the core of poetry itself, the only hope for a humane civil life. The eye for likeness in the midst of contrast, the appeal to recognition, the association of thing to thing, spiritual fact with embodied form, begins here.

And we're only up to page six, son.

A Living Wake

"The silence is deafening."

So says Lisa Ling in her first interview since Current TV journalists Laura Ling, Lisa's sister, and Euna Lee were sentenced to twelve years in a North Korean labor camp after a closed-door trial for vague "grave crimes."

The U.S. has considered an envoy to help free Ling and Lee. There have been regular vigils around the country, pressing this humanitarian issue back into the spotlight (including one tonight at the Changing Hands Bookstore for those of you in the Tempe area). But for now, the families of Ling and Lee are compelled to wait and wait.

July 07, 2009

Baba Yaga Meets Dubravka Ugresic

In her new novel, Baba Yaga Laid an Egg (which I'd love to get my hands on), Dubravka Ugresic wrestles with the slippery witch of Russian and East European myth, taking her to contemporary times. On the BBC, Ugresic speaks "about her novel and leaving her homeland of the former Yugoslavia and moving to Amsterdam after being proclaimed a ‘traitor’, a ‘public enemy’ and a ‘witch'."

Middlesex To Be Developed for HBO

It looks like Jeffrey Eugenides' Pulitzer-winning epic, set largely in Detroit of the 1920s and 1990s, is in development with HBO as a one-hour series. Rita Wilson is slated as the executive producer, alongside playwright Donald Magulies.

It's probably about time I read this one, eh?

Via Maud Newton's Twitter feed.

DETROIT STORIES:
Biking in the Motor City

05bikespan

Fact: Detroit was the original American bike town. Almost 80% of the population used them around town in the 1890s. America's first paved roads in Detroit was not for the ease of car owners, but for the ease of cyclists.

Fact: "Detroit has the potential to become a new bicycle utopia. It’s a town just waiting to be taken." That's the word from Toby Barlow's op-ed in the New York Times. And it is the truth. Barlow points to the flourishing communities around local bikes shops, Wheelhouse and The Hub; to the uncommon network of (flat) roads and open space; and to a city that is preternaturally suited to the alternative-minded entrepreneur.

From Barlow's op-ed:

Despite the press, survival here isn’t so hard. Businesses like the Wheelhouse and the Hub have already shown how well Detroit can work as a new business hothouse. With the legendarily affordable real estate and without needing to pay for car payments, gas or insurance, bicyclists could rebuild Detroit into a model of a two-wheeled economy. They could pass laws promoting bikes over cars and designate entire avenues motor-free zones, which, given the state of many of them now, wouldn’t be so much of a stretch.

Maybe it sounds far-fetched, but then again maybe it’s just destiny. Look at a map and you’ll see that Detroit is designed in the shape of a wheel, with streets emanating like spokes from the downtown hub. It looks like a premonition, a city uniquely designed to alter transportation forever.

P1010087 
Above: My homemade bike, immediately after its first ride.

I want it to be so. I got inculcated into this mindset last summer when I started frequenting The Hub, where the good people there guided me in helping me build my bike from scratch, mostly from spare and found parts. (See the final beloved result in the picture above). Over a series of Sunday afternoons, I heard a lot about bikes as the transit model that is truly "auto-mobile." I got well-coached in the value of knowing my bike well, of having the tools to mend basic problems, of wearing a helmet, of everything that's possible on a bike (one fellow moved to a new apartment by taking several cycling trips with his belongings on a small trailer that was attached to his bike).

And the joy of riding and exploring was contagious.

The bike community in Detroit is ecstatic and serious and wide open. The 40-mile Tour de Troit ride draws thousands. The Dequindre Cut Greenway, a newly opened pathway connecting the RiverEalk and Eastern Market, is adored. Attention is being paid to other Detroit bike trails and bike accessibility. AlleyCats is--I hear--well-suited for those who have a need for speed. More and more casual community rides are happening all over the city and metro area (to say nothing of local bike blogs - the best of which is m-bike).

I like to think of it as more than a hobby. It's damn near revolutionary for bikers to override the Motor City. It is one step on the way for Detroit to manifest an alternative vision of what a "successful city" looks like.

Illustration Credit: The New York Times

July 06, 2009

Marjane Satrapi:
"I Must Go Home to Iran Again"

As the news out of Iran spirals horrifically, graphic novelist and film director Marjane Satrapi continues to use her talents as a storyteller to reveal what's true and beautiful--this time in an op-ed headlined "I Must Go Home to Iran Again."

Today I read somewhere that “the velvet revolution” of Iran became the “velvet coup,” with a little note of irony, but let me tell you something: This generation, with its hopes, dreams, anger and revolt, has forever changed the course of history. Nothing is going to be the same.

From now on, nobody will judge Iranians by their so-called elected president.

From now on, Iranians are fearless. They have regained their self-confidence. ...

... And I’m convinced this is just the beginning.

From now on, I will always say: Once you leave your homeland, you can live anywhere. But I refuse to only die in Iran. I will one day live in Iran...or else my life will have had no meaning.

Satrapi, you recall, partnered with filmmaker Mohsen Makhmalbaf in presenting a document to Green Party MPS in the European Parliament that they contended was proof that Mir Hossein Mousavi won the most votes in the Iranian presidential election.

Birthing Chains

BirthInChains


My new article is out with RH Reality Check. As I talked to people about the shackling of pregnant women in U.S. prisons, jails, and detention centers, as I researched and caught up with amazing recent news, my jaw was permanently dropped.

From my article:

Shackling usually happens when pregnant women are transported from one facility to another-when a woman is transferred to a new prison, for example, or when she's taken to a hospital for medical care. Reynolds herself was shackled around the waist during labor. She knows others who were subjected to a black box placed between their wrist and belly, which keeps the arms in front and facedown. Shackling also happens around ankles in transport vans and in wheelchairs, while breastfeeding, and while in neonatal nurseries, Reynolds said.

To date, 46 states have no legislation that restricts the shackling of pregnant women in prisons, jails, and detention centers, leaving the practice to the discretion of individual facilities. Illinois, California, Vermont, and New Mexico prohibit it entirely, though, as the Cook County case reveals, implementation of anti-shackling policy can be patchy.

Non-federal facilities are exempt from the U.S. Bureau of Prisons policy that, in October 2008, barred the shackling of pregnant women, "except in the most extreme circumstances." This policy is in alignment with the United Nations Convention Against Torture, which the U.S. ratified.

This is a particularly timely issue. Right now, Texas and New York are waiting for word from their governors on legislative bills that bar shackling. There are newly-filed lawsuits against the Cook County (Chicago) jail and Washington state from former inmates that charge for harm done while being shackled while pregnant and birthing; Cook County's case is particularly egregious because it's in one of the few states that restricts shackling. And we are awaiting word on the hearing on the shackling case of a woman in Arkansas before the 8th Circuit Court.

UPDATE: Hey New Yorkers! Your state is on the verge of being the fifth to ban shackling, thanks to a bill with nearly-unanimous legislative support. This Thursday, there's a rally to urge Governor Paterson to sign it into law. Go, learn, speak up, and then tell me all about how it went!

July 03, 2009

Summer Reading for Children
(And, Um, For Me)

As a two-time auntie, I feel personally responsible to make sure that my nieces grow up with excellent books at their fingertips (as two of my aunts did for me, via a gorgeous Nancy Drew collection). But that's not the only reason I'm interested in The Telegraph's collection of children/YA book suggestions by a strong group of authors and critics; I love to read them myself. I mean, the last book that made me cry was The Great Gilly Hopkins by Katherine Paterson--that's one that'll knock your socks off.

What to the Slave is the Fourth of July?

Frederick_douglass The speech that Frederick Douglass gave on July 5, 1852, is mesmerizing--particularly in the turn about midway through when Douglass shifts from memorializing the founders of the nation (many whose direct descendants were in his audience) to a blunt look at his present day.

"I leave, therefore, the great deeds of your fathers to other gentlemen whose claim to have been regularly descended will be less likely to be disputed than mine!," Douglass exclaims, making no pretense to ignore his dark color, and then asks, "Fellow-citizens, pardon me, allow me to ask, why am I called upon to speak here to-day? What have I, or those I represent, to do with your national independence?"

And then:

I am not included within the pale of this glorious anniversary! Your high independence only reveals the immeasurable distance between us. The blessings in which you, this day, rejoice, are not enjoyed in common. The rich inheritance of justice, liberty, prosperity and independence, bequeathed by your fathers, is shared by you, not by me. The sunlight that brought life and healing to you, has brought stripes and death to me. This Fourth [of] July is yours, not mine. You may rejoice, I must mourn. To drag a man in fetters into the grand illuminated temple of liberty, and call upon him to join you in joyous anthems, were inhuman mockery and sacrilegious irony. Do you mean, citizens, to mock me, by asking me to speak to-day? If so, there is a parallel to your conduct. And let me warn you that it is dangerous to copy the example of a nation whose crimes, lowering up to heaven, were thrown down by the breath of the Almighty, burying that nation in irrecoverable ruin! I can to-day take up the plaintive lament of a peeled and woe-smitten people!


This Independence Day--the first that the United States has celebrated with a black man as our elected (by a landslide) president, a president whose multi-ethnic heritage and White House leadership have swiftly normalized--let us be grateful for how far we've come. And, as Douglass challenges his listeners (which by extension includes us), let us not settle. Let us not use past triumphs and greatness as a mask for present smallness.

There are miles to go before we sleep.

UPDATE: Melissa Harris-Lacewell minds the modern moment of this Fourth of July in her article, "Celebrating the full narrative of America."

July 02, 2009

This Week in Blackness: BET Doesn't Care About Black People

Because this should be required viewing for every American. At least every American that likes laughter.

She Writes

This just discovered: She Writes, a new (beta) social network that "is where women writers working in every genre--in every part of the world and of all ages and backgrounds--can come together." I'm still new, but it looks like hundreds of terrific writers have already signed on in a space designed to make connections, offer professional advice, champion each others' work, spread news, and facilitate discussions. It all sounds good to me. If you decide to jump in yourself, come be my e-friend.

My Photo

More Isak Reviews

  • Audre Lorde: Sister Outsider: Essays and Speeches

    Audre Lorde: Sister Outsider: Essays and Speeches
    Perhaps because she brings her life as a poet to bear on these rather brief prose pieces (the longest is a transcript of a conversation between her and Adrienne Rich), her big ideas are distilled into crystal and simply laid before us readers. Lorde doesn't waste time. There's no filler.

    Read my full review here.

  • Edgar Lee Masters: Spoon River Anthology

    Edgar Lee Masters: Spoon River Anthology
    In which I bring an A/V twist to a book review of Spoon River Anthology by Edgar Lee Masters ... watch the video here.

  • Roberto Bolaño: Nazi Literature in the Americas

    Roberto Bolaño: Nazi Literature in the Americas
    The Quarterly Conversation compared "the dark abuse that kneels beneath the dazzling surface" of this book to Lolita. Fueled by a passion for literature that trills off the pages, alongside sly humor, a penchant for discomfort, and a shade of terror, Nazi Literature of the Americas is finally a book that is--is it odd to say?--fun to read. It might've been more, but rather than dwell on what's absent, I'll delight in this as it is.

    Read my full review here.

  • Robert Louis Stevenson: Treasure Island

    Robert Louis Stevenson: Treasure Island
    I knew that a great deal of pirate lore could be traced to the Scotsman's 1883 novel, but I had no idea the reach of it: Treasure Island damn near invented the modern conception of pirates, even as it blended contemporary buccaneers into its fictional landscape.

    Read my full review here.

  • Mary Miller: Big World

    Mary Miller: Big World
    Mary Miller writes a good story. The eleven collected in her first full-length book, Big World (Hobart Pulp) are dark-edged little treasures, funny and biting, strange and sweet. Set squarely in the South, Miller's tales are first-person variations on the the gothic traditions of her landscape: tiny tragedies with a sugar coating.

    Read my full review here.

  • Tom Noyes: Spooky Action at a Distance and Other Stories

    Tom Noyes: Spooky Action at a Distance and Other Stories
    Absurdity meets tragedy in these tales of lonely folks.

    Read my full review at New Pages here.

  • Ed. Nathan Leslie & Steve Almond: Best of the Web 2008

    Ed. Nathan Leslie & Steve Almond: Best of the Web 2008
    Leslie and Almond point to the great writing in Best of the Web 2008 and make the implication that this is writing that transcends its online medium, as if the internet is a neutral container for the writing that suffers merely from an uneven literary reputation.

    Read my full reflection on the anthology here.

  • Margaret Atwood: The Handmaid's Tale

    Margaret Atwood: The Handmaid's Tale
    I liked it, definitely. Much of it is fascinating. But I was surprised to find myself hung up on the very same piece that held me back from the only other Atwood novel I've read, The Blind Assassin. Like the book that won her the Booker Prize, Atwood reveals ingenuity, cleverness, and empathy in the 1986 novel that won her fame. But the language of The Handmaid's Tale is too flat to cull love from me.

    Read my full review here.

  • Lydia Davis: Varieties of Disturbance: Stories

    Lydia Davis: Varieties of Disturbance: Stories
    ... it's all exhales and inhales. It's juxtapositions and rhythms. White space and absences. Sentences might turn tense and strange, only to unravel relaxedly in a single clause. Extraordinarily short stories that smack like snickering punchlines, paired next to a longer story that takes a curious vantage...

    Read my short review here.

  • Aleksandr Solzhenitsyn: One Day in the Life of Ivan Denisovich

    Aleksandr Solzhenitsyn: One Day in the Life of Ivan Denisovich
    This is the author's brilliant move. In a short novel in a dreary and unjust landscape, he gives us a protagonist who we come to like, and who sleeps happily at the end. It is the dissonance of what makes Shukhov so happy, and what we readers hope for him--it is that gap in between--that makes this novel sing.

    Read my full review here.

  • Marilynne Robinson: Housekeeping

    Marilynne Robinson: Housekeeping
    Robinson's book can teach me especially about narration - something I think is lost in a lot of traditional fiction writing classes, banished under the moniker of it being "telling" rather than showing.

    Read my full review here.

  • Joseph Conrad: The Shadow-Line: A Confession

    Joseph Conrad: The Shadow-Line: A Confession
    Ah, the satisfaction of the short novel. Clocking in 132 pages, I was able to move swiftly through The Shadow-Line, which gave the narrative something of the sense of a deep inhale.

    Read my full reviews here and here.

  • Eban Goodstein: Fighting for Love in the Century of Extinction: How Passion and Politics Can Stop Global Warming

    Eban Goodstein: Fighting for Love in the Century of Extinction: How Passion and Politics Can Stop Global Warming
    1. A convincing and concise manifesto on why ambitious political action must happen now if we will mitigate the already inevitable consequences of global warming.

    2. Think you already knew that? Read my full review here.

  • Ian Mcewan: Atonement

    Ian Mcewan: Atonement
    Funny story about how I came to read Ian McEwan's novel, Atonement. Read my full review here.

  • Virginia Woolf: Three Guineas (Annotated)

    Virginia Woolf: Three Guineas (Annotated)
    Woolf extends her ideas on gender and economics to include the prevention of war. Written during the Spanish Civil War, and as Hitler and Mussolini moved to extend their dominion, Woolf receives a letter from a pacifist organization asking for her membership, her financial donation, and her opinion on how our society can prevent the brutal violence that the enclosed photos of murdered Spanish children and burnt homes indicate.

    Woolf's response, in the form of a series of letters, is this book. Read my full review here.

  • Joseph Campbell: Myths to Live By

    Joseph Campbell: Myths to Live By
    In essays that spin off Campbell's speeches before the Cooper Union Forum between 1958 and 1971, it's unsurprising that most passionate and intelligent piece in Myths To Live By spins off the first landing on the moon in 1969.

    Read my full review here.

  • Caryl Rivers: Selling Anxiety: How the News Media Scare Women

    Caryl Rivers: Selling Anxiety: How the News Media Scare Women
    Selling Anxiety is a slim book packed with important facts, but it's clear that it came out in a rush. ... I got the impression that Rivers wanted to respond rapidly and strongly to the trend stories of the moment. She succeeds, and the book's quite timely, but I found myself wanting more from the just-the-facts prose.

    Read my full review here.

  • Susan Orlean: The Orchid Thief: A True Story of Beauty and Obsession

    Susan Orlean: The Orchid Thief: A True Story of Beauty and Obsession
    Her passion, not her quiet perseverance, should've been the unifying pull of the book. Read my full review here.

  • Marguerite Abouet: AYA

    Marguerite Abouet: AYA
    Aya is something totally different, and charming in its own way. Read my full review here.

  • Lydia Davis: Samuel Johnson Is Indignant

    Lydia Davis: Samuel Johnson Is Indignant
    Davis consistently denies readers the trademark identifiers of stories—names, and to some extent, individualized characters; dialogue, or character interaction; direct scene; action; plot.

    Read my full review here.

  • Umberto Eco: The Name of the Rose

    Umberto Eco: The Name of the Rose
    It's full of hybrid narrative forms--a phenomenon that crosses with Eco's wordplay dynamics. It is a novel somehow holds the forms of philosophical treatises and dialogues, theological arguments, historical text, and testimony from doomed inquisitions and trials.

    Read my full review here.

  • Fyodor Dostoevsky: The Double

    Fyodor Dostoevsky: The Double
    The Double (1848) is the last book I finished before officially launching my fanaticism for George Orwell. But lest it be overlooked, I want to note the worth of this strange little book.

    Read my full review here.

  • Giles Slade: Made to Break: Technology and Obsolescence in America

    Giles Slade: Made to Break: Technology and Obsolescence in America
    This book represents a phenomenal organization of a massive amount of information. With a staggering assortment of primary sources, Slade produces 281 pages that are clear, concise, and unite product histories that previously seemed, to me anyway, separate. Read my full review here.

  • The Low Countries: Arts and Society in Flanders and the Netherlands, No. 13
    I'm struck by the premise of this book. This is a culture driven to articulate its worth in an annual publication, in any way it can--poems, prose, images. Yes, there's a bit of a tour guide element to the book, but I'll tell you what...

    Read my full review here.
  • The Paris Review: The Paris Review Interviews, I (Paris Review Interviews)

    The Paris Review: The Paris Review Interviews, I (Paris Review Interviews)
    Thoughtful, charming, unique to the individual writers--this is looking to be one of the best books for contemporary readers and writers alike.

    Read my full review here.

  • Mary Gordon: The Stories of Mary Gordon

    Mary Gordon: The Stories of Mary Gordon
    They're inventive, funny, and compassionate stories. Rare among contemporary writers, Gordon is unafraid to focus on class, work, and politics.

    Read my full review here.

  • Mary Wollstonecraft: A Vindication of the Rights of Woman

    Mary Wollstonecraft: A Vindication of the Rights of Woman
    At 1369, our favorite Central Square hangout, community-mate Katie and I drank café au lait's yesterday afternoon--all afternoon--and roamed through our heavily penciled copies of A Vindication of the Rights of Woman. It was the third edition of our feminist book club, and ol' Mary gave us a lot to talk about: she's funny, whip-smart, concise, and she's writing remarkable stuff for 1792 (and, dare I say, today?).

    Read my two full reviews here and here.

  • Janna Levin: A Madman Dreams of Turing Machines

    Janna Levin: A Madman Dreams of Turing Machines
    It could've been great. It has such an enticing premise. Read my full review here.

  • Richard Bausch: The Stories of Richard Bausch

    Richard Bausch: The Stories of Richard Bausch
    There’s one kind of ending that I’ve been thinking about since I read through The Stories of Richard Bausch: the “unfinished” ending.

    Read my full review here.

  • Alice Munro: Runaway

    Alice Munro: Runaway
    She’s a woman, a Canadian and a short story writer. But that hasn’t stopped Alice Munro from taking her rightful place in Western literature’s so-called canon.

    Read my full review here.

  • A.S. Byatt: Angels & Insects: Two Novellas

    A.S. Byatt: Angels & Insects: Two Novellas
    Ol' Isak would've loved A.S. Byatt. Byatt's tales are full of spit and spirit--and she seems to have a particular interest in looping narratives.

    Read my full review here.

  • Simone De Beauvoir: The Second Sex

    Simone De Beauvoir: The Second Sex
    This book is peculiar and dense--heartening and illuminating at points; at others odd, what with its 50-year-old biology.

    Read my full review here.